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(His appearance as a leprechaun in “Schmigadoon!” is practically type-casting.) He trained in improvisational and sketch comedy at Toronto’s Second City, where the prancing oddball sprite Ed Grimley was born onstage, and as a cast member of “SCTV” and “Saturday Night Live.” “You plan things,” he told Brian Sullivan in 2013, “but then when you get out there they kind of evaporate.” Jiminy Glick’s interviews are completely improvised. Short, by contrast, is an extrovert, elfin and impish.
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Even the prosthetic nose he wears in his “Cyrano” update “Roxanne” doesn’t diminish his handsomeness. (“I’ve been playing for 55 years,” he told one interviewer, self-critically adding, “I know, I should be better.”) He’s tall and good-looking in a way that has let him be cast as a leading man opposite Diane Keaton, Goldie Hawn, Mary Steenburgen and Daryl Hannah. Martin would prepare for months for a talk show appearance: “You’re always going on these shows to promote something,” he told The Times in 2012, “and you go, ‘I’m going to hold up a record for 30 seconds, and for that I have to have 10 minutes of comedy material.’” He worked most of a year on a banjo version of “Auld Lang Syne” to play at Short’s Christmas party. He’s a magician and a banjo player, endeavors that require hours of repetitive practice. He writes novels, plays and screenplays, largely solitary pursuits. He started as a stand-up, methodically constructing his act. It’s altogether appropriate that teamwork - mixed with a little antagonism - is the central concern of “Only Murders,” in which three isolated characters come together to solve a mystery and mount a podcast.Īs with many of the best, best-loved comedy duos, their characters, like themselves, are distinct and complementary: Where Martin presents as an adult afflicted with sudden attacks of childishness, a man in a white suit with a novelty store arrow through his head, Short comes across as a child who imagines himself a gentleman. You become a guest at their party, a spy in the house of laughs. The double act, as they called it in the old vaudeville days, creates a kind of public privileged space: Where the stand-alone stand-up comic addresses everything to the audience, the comedy team plays to the crowd by playing to one another. Even their names combine: Steve Martin Short.Įach is funny on his own, to be sure, but there is magic in collaboration each partner magnifies the other. (Though she is deadpan funny in her own right.) It’s now become reflexive to regard them as a unit.
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Last year they mounted “The Funniest Show in Town at the Moment.” (Self-deprecation is the right of the venerable established star.) Along with the TV series, these collaborations have led to a sideline in highly amusing, intermittently thoughtful news pieces and talk show appearances, sometimes with Selena Gomez, their “Only Murders” co-star, who functions as their straight woman.
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Their partnering became more frequent and formalized with a series of touring stage shows, beginning with “A Very Stupid Conversation” in 2015, followed in 2017 by “An Evening You Will Forget for the Rest of Your Life,” filmed for a Netflix special, and “Now You See Them, Soon You Won’t” in 2019. Steve Martin, Martin Short and Selena Gomez are having exactly as much fun as it looks like they’re having on Hulu’s true crime comedy. Television The stars of ‘Only Murders in the Building’ aren’t above a little trash talk “Marty, I’ve got to say there are very few people I really admire.” Together they honored David Letterman on the occasion of his 2017 Mark Twain award. Along with “Three Amigos,” you can find them sharing the screen in the “Father of the Bride” movies, with Martin as the titular father and Short as an incomprehensible wedding planner, and as animated high priests in “The Prince of Egypt.” Martin guested on three of the six episodes of Short’s NBC variety series “Maya and Marty,” and sat down with Short’s absurd and insulting celebrity interviewer Jiminy Glick. They are not explicitly a team, like Laurel and Hardy or Cheech and Chong or Tim and Eric, but over the years have grown associated in the public mind, like Jack Benny and Fred Allen or Tina Fey and Amy Poehler, whose paired appearances promise something extra special. “Only Murders” is true to the essence of their earlier (and, to me, still very funny) comedy while framing it in a way that makes it work across demographics. But Martin and Short, now in their 70s, have become hot again, with a hit television show (a third season is on the way) and sold-out live shows at a time in life when most comedians are kibitzing with their remaining peers at the Friars Club.
Comedy can be cruelly fleeting one generation’s belly laugh is often the next one’s blank stare.
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